This is a rough workprint that was likely used before the studios decided to have more footage cut. There is some deleted and extended scenes and many longer shots. None of the deleted scenes have been officially released on DVD. The video and audio quality is also worse than the DVD, with the workprint having a notable red tint and the audio having crackling noises throughout.
Differences Report:
0:04
The workprint misses out on the Miramax logo.
DVD:
0:37
The workprint contains a longer shot of Lotty looking at people on the train.
Workprint:
0:45
The workprint contains a slightly longer shot of Lotty looking at people on the train.
Workprint:
1:57
The workprint contains a longer shot of Lotty going through the newspapers.
Workprint:
5:32
The workprint contains an extended scene. Rose walks away and says that she barely knows Lotty. Lotty says that she a nest where she hides money for “rainy days” and she says that this is a rainy day. Rose looks outside and sees that it is raining. Then, there is a longer shot of Mellersh eating.
Workprint:
7:04
The workprint contains a longer shot of Lotty listening to Mellersh deciding what time to show up to the party.
Workprint:
7:37
The workprint contains an extended scene. Mellersh explains that if his clients become discontent with him, they will go to his competiton.
Workprint:
8:48
The workprint contains a deleted scene. Lotty tries to convince Rose to rent out the San Salvatore by saying it would be like Heaven. Rose reminds her that the scripture that Heaven is their normal lives. Lotty responds back saying that her life is not Heaven. Rose then suggests that she tries to make it Heaven. Before Lotty can continue arguing, Mellersh puts his hand on her shoulder and they walk away.
Workprint:
11:14
The workprint contains a longer shot of Rose picking up her yarn ball to avoid kissing Frederick.
Workprint:
11:27
The workprint contains a longer shot of Rose telling Frederick that she disproves of the books.
Workprint:
11:43
The workprint contains a longer shot of Rose looking at Frederick.
Workprint:
13:16
The workprint contains a longer shot of the doorbell after Lotty rings it.
Workprint:
14:17
The workprint contains a longer shot of Rose telling George that she has played the piano.
Workprint:
14:32
The workprint contains a deleted scene. Rose brings up that George sent them back a letter about the San Salvatore and then introduces her and Lotty to George. George asks if the terms about the rental are satisfactory. Rose says yes. George says it is settled but then asks for references.
Workprint:
15:23
The workprint contains a longer shot of George leaving to go find details.
Workprint:
17:28
The workprint contains a longer shot of Lotty wondering why so little people applied to rent out San Salvatore.
Workprint:
18:29
The workprint contains a longer shot of Rose asking if Mrs. Fisher knows where Keats is.
Workprint:
20:24
The workprint contains a slightly longer shot of Lotty watching Rose approach Mrs. Fisher.
Workprint:
21:33
The workprint contains a longer shot of Lotty and Rose watching Caroline.
Workprint:
22:08
The workprint contains a slightly longer shot of Caroline saying how it would be wonderful to stay at the San Salvatore with strangers.
Workprint:
22:18
The workprint contains a slightly longer shot of Caroline asking Lotty and Rose if they any of her friends.
Workprint:
22:22
The workprint contains a longer shot of Lotty and Rose telling Caroline that they do not know any of her friends.
Workprint:
22:42
The workprint contains a slightly longer shot of Lotty and Rose telling Caroline that they do not know how it feels to not be in the center of attention.
Workprint:
22:53
The workprint contains a slightly longer shot of Caroline explaining why she prefers to not be in the center of attention.
Workprint:
24:21
The workprint contains a slightly longer shot of Caroline telling Frederick that she needs to get away.
Workprint:
25:34
The workprint contains a longer shot of Mellersh lighting a cigarette.
Workprint:
35:40
The workprint contains a slightly longer shot of Mellersh lighting a cigarette and a slightly longer shot of Lotty.
Workprint:
25:47
The workprint contains an extended scene. Mellersh tells Lotty that he can afford taking her to Italy for Easter because his company has been doing well.
Workprint:
26:12
The workprint contains a slightly longer shot of Lotty listening to Mellersh’s plans for Italy.
Workprint:
26:18
The workprint contains a slightly longer shot of Lotty telling Mellersh she is stunned.
Workprint:
27:38
The workprint contains a longer shot of the ferry sailing.
Workprint:
27:49
The workprint contains a longer shot of Lotty looking seasick.
Workprint:
27:57
The workprint contains an extended scene, with some additional footage of the inside of the ferry.
Workprint:
29:21
The workprint contains a longer shot of the Beppo yelling at the horse.
Workprint:
29:26
The workprint contains a longer shot of Beppo telling Lotty and Rose that the horse in the carriage is his.
Workprint:
29:35
The workprint contains an extended scene of the carriage ride to San Salvatore.
Workprint:
30:12
The workprint contains a longer shot of Domencio approaching the carriage.
Workprint:
30:32
The workprint removes a shot of Deppo and Domencio talking.
DVD:
32:57
The workprint contains some longer shots of San Salvatore and the landscape.
Workprint:
37:39
The workprint contains a longer shot of Lotty drinking tea.
Workprint:
37:48
The workprint contains a deleted scene. Lotty and Rose are seen walking outside. Rose complains to Lotty that since they were the ones who found out about San Salvatore, Mrs. Fisher should not be acting as if she owns the place. Lotty says that they should not care about that. Lotty then suggests that Rose should be upset while in San Salvatore. Rose asks Lotty if they should try and help Mrs. Fisher make her more happy. Lotty says that they should not and they walk away.
Workprint:
40:31
The workprint contains a deleted scene. Mrs. Fisher asks Francesca to grab some spaghetti. She grabs the bowl and puts some on her plate. Mrs. Fisher is seen struggling to eat the spaghetti while Francesca and Costanza watch.
Workprint:
42:23
The workprint contains a longer shot of Lotty, Rose and Mrs. Fisher eating lunch.
Workprint:
43:13
The workprint contains a longer shot of Rose telling Mrs. Fisher that Lotty has a theory about San Salvatore.
Workprint:
44:31
The workprint contains an extended scene. Mrs. Fisher tells her Caroline she is very beautiful and that if she was alive fifty years ago, Lord Tennyson would have eyed her. She then comments on how the beautiful are able to do whatever they please. Caroline agrees and thinks to herself that she wasted so much of her time being beautiful.
Workprint:
49:51
The workprint contains a longer shot of the trees and an additional shot of a spider web.
Workprint:
55:05
The workprint contains a longer shot of San Salvatore.
Workprint:
55:53
The workprint contains an additional shot of the landscape San Salvatore.
Workprint:
1:03:31
The workprint contains a longer shot of Mellersh putting his hand on Lotty’s cheek.
Workprint:
1:03:54
The workprint contains a longer shot of Mrs. Fisher and Costanza arguing.
Workprint:
1:04:37
The workprint shortens a shot of Mellersh and Mrs. Fisher approaching Caroline.
DVD:
1:05:58
The workprint contains an extended scene of Caroline thinking about why she likes Mellersh.
Workprint:
1:06:51
The workprint contains extended scene with Mrs. Fisher putting a book into her drawer.
Workprint:
1:08:12
The workprint contains an additional shot of Rose sleeping on the ground and an additional shot of the lizard crawling up on Rose.
Workprint:
1:11:59
The workprint contains a longer shot of Rose going underwater.
Workprint:
1:12:09
The workprint contains a longer shot of Caroline sleeping.
Workprint:
1:13:02
The workprint contains a longer shot of Lotty and Mellersh following Rose.
Workprint:
1:13:11
The workprint contains a slightly longer shot of Rose after she reads George’s telegram.
Workprint:
1:13:14
The workprint contains a slightly longer shot of Rose after she reads George’s telegram.
Workprint:
1:13:32
The workprint contains a slightly longer shot of Rose listening to Mellersh ask who George is.
Workprint:
1:15:55
The workprint contains a slightly longer shot of George telling her that Rose gives off a warm vibe and a slightly longer shot of Rose.
Workprint:
1:16:22
The workprint contains a slightly longer shot of Rose and George walking along a trail.
Workprint:
1:19:41
The workprint contains a longer shot, with George taking a seat beside Rose.
Workprint:
1:22:27
The workprint contains a longer shot of Caroline and Frederick going down the stairs.
Workprint:
1:22:48
The workprint contains a longer shot of a painting of Mary.
Workprint:
1:23:26
The workprint contains slightly shortens a shot of Rose putting a flower in her hair.
DVD:
1:23:43
The workprint contains longer shot of Rose walking into the living room.
Workprint:
1:24:38
The workprint contains a slightly longer shot of Rose calling out Frederick.
Workprint:
1:24:52
The workprint contains two slightly longer shots of Rose approaching Frederick.
Workprint:
1:26:23
The workprint contains a longer shot of Rose and Frederick walking towards George.
Workprint:
1:27:31
The workprint contains a slightly longer shot of Mellersh talking to Mrs. Fisher.
Workprint:
1:31:20
The workprint contains a longer shot of Rose.
Workprint:
1:31:22
The workprint contains a slightly longer shot of Caroline watching Rose and Frederick and a longer shot of George crying.
Workprint:
1:31:34
The workprint contains a longer shot of Caroline walking to George.
Workprint:
1:31:49
The workprint contains a slightly longer shot of Caroline and George looking at each other.
Workprint:
1:32:58
The workprint contains a slightly longer shot of Caroline telling George that it is important that Rose made him feel wonderful inside.
Workprint:
1:33:01
The workprint contains a slightly longer shot of Caroline smiling at George.
Workprint:
1:33:18
The workprint contains a slightly longer shot of Caroline smiling at George.
Workprint:
1:33:53
The workprint contains a slightly longer shot of pictures of Mrs. Fisher’s friends.
Workprint:
1:36:17
The workprint contains a longer shot of the group leaving San Salvatore.
Workprint:
