A workprint for the pilot was made in May of 2002 and sent out to NBC executives for review. The workprint has many longer shots and some deleted and extended scenes, none of which appear on the DVD. The video quality is a bit lower than the official release.
Difference Report:
0:19
The workprint contains an additional title.
Workprint:
1:14
The workprint has an alternate and longer shot of David’s title card and a longer shot of David walking down the hallway while on the phone. The workprint also misses out the opening titles and some of the text.
Workprint:
DVD:
2:35
The workprint contains a slightly longer shot of David walking out of the Los Angeles Police Department headquarters.
Workprint:
4:44
The workprint contains an additional shot of Andrea walking into the bathroom.
Workprint:
5:13
The workprint contains an alternate and longer scene of Andrea chatting to Marian about an article she did about David before.
Workprint:
DVD:
5:46
The workprint contains a longer shot of Andrea trying to get Marian to talk.
Workprint:
6:24
The workprint contains a slightly longer shot of Andrea trying to get the name of the girl who was injured earlier today.
Workprint:
6:32
The workprint contains a slightly longer shot of Andrea listening to David’s press conference.
Workprint:
6:47
The workprint contains a deleted scene. Andrea and her boss walk out onto a rooftop. Her boss asks her how she got the name of the girl who was shot at the park. She only tells him that she got it. He then reads the rest of her notes on the press conference, which mentions that David handled it well. He asks what she thinks of David. She says that she does not think of him. Her boss comments that he thinks he is a real person and not a politician. They reach the rail and her boss mentions that he likes the view of downtown Los Angeles. Andrea reminds him that the reason he likes it is because he is from Canada.
Workprint:
7:45
The workprint contains a longer shot of Andrea’s apartment.
Workprint:
8:11
The workprint contains a slightly longer shot of Andrea loading her pistol.
Workprint:
8:27
The workprint contains a slightly longer shot of Andrea walking to David.
Workprint:
8:43
The workprint contains a longer shot of Andrea talking about David’s quote.
Workprint:
9:14
The workprint contains a slightly longer shot of Andrea walking back to her room.
Workprint:
9:33
The workprint contains a slightly longer shot of David telling Andrea that he saw her interviewing some police officers.
Workprint:
9:43
The workprint contains an extended scene.
Workprint:
10:06
The workprint contains a slightly longer shot of Andrea leaving to take a bath.
Workprint:
10:13
The workprint contains an alternate and longer shot of Ray’s title card.
Workprint:
DVD:
10:33
The workprint contains an extended scene. The paramedics attempt to revive Grace while Marian screams for help.
Workprint:
11:40
The workprint contains a slightly longer shot of Joel and Fearless looking at David.
Workprint:
12:03
The workprint contains a slightly longer shot of Ray’s car driving through a bridge.
Workprint:
13:13
The workprint contains an additional title card and a longer shot of the truck.
Workprint:
13:18
The workprint contains a slightly longer shot of the Mercedes driving towards the truck.
Workprint:
13:59
The workprint contains a slightly longer shot of Ray looking back and turning his car around.
Workprint:
14:14
The workprint contains a slightly longer shot of Ray driving into the parking garage.
Workprint:
14:27
The workprint contains an extended scene. Ray continues chasing the Mercedes driver and calls him a German cowboy.
Workprint:
14:42
The workprint contains a slightly longer shot of Ray asking which officer needs to be rescued.
Workprint:
15:44
The workprint contains a slightly longer shot of Ray checking the kid’s pockets.
Workprint:
15:58
The workprint contains an alternate and longer shot of Tom’s title card.
Workprint:
DVD:
19:27
The workprint contains a deleted scene. After Joel and Fearless walk away from Ray and Tom, Fearless asks what he does that ticks off Tom. Joel tells him that Tom is just a little sensitive. Fearless then warns Joel that Tom still wants to knock him out.
Workprint:
19:47
The workprint contains a longer shot of Tom driving home.
Workprint:
20:48
The workprint contains an extended scene. After Ray reveals to Tom that Joel and Fearless had found the suspect that he was chasing earlier, Tom asks where the suspect is. Ray tells him that he will pick him up.
Workprint:
21:57
The workprint contains a longer shot of Tom listening to Ray explaining why Joel dislikes him.
Workprint:
22:29
The workprint contains an extended scene. The workprint contains an additional titled card, an alternate and longer shot for Fearless’s title card and a longer shot of Fearless lighting a cigarette.
Workprint:
DVD:
22:44
The workprint contains a longer shot of Fearless smoking.
Workprint:
22:57
The workprint contains a longer shot of the prostitute telling Fearless she wants to listen to his story.
Workprint:
23:24
The workprint contains a longer shot of the Iraq desert.
Workprint:
24:24
The workprint contains a longer shot of the prostitute telling Fearless that she can not believe he lives in a motel.
Workprint:
24:58
The workprint contains a slightly longer shot of the prostitute telling Fearless that he owes her six hundred dollars.
Workprint:
25:24
The workprint contains a slightly longer shot of the prostitute talking having lost her bucket list.
Workprint:
25:36
The workprint contains a longer shot of Fearless walking out of the Oasis Motel.
Workprint:
26:02
The workprint contains a longer shot of Fearless walking to Joel.
Workprint:
27:10
The workprint contains an alternate and longer shot of Joel’s title card.
Workprint:
DVD:
28:16
The workprint contains a longer shot of Ray suggesting that the suspects had thrown away the ice cream wrappers.
Workprint:
29:07
The workprint contains a longer shot of Joel on the phone with Susan.
Workprint:
29:33
The workprint contains a slightly longer shot of Fearless turning to Joel.
Workprint:
29:58
The workprint contains a longer shot of Joel running to the backyard.
Workprint:
30:17
The workprint contains a deleted scene. Fearless begins interrogating Taylor by asking if he wants to be a gangster. Taylors tells him that he does not have to say anything until his lawyer is present. Joel then sits down and shows the picture two girls that were shot to Taylor and tells him their names. The DVD has an alternate scene of Joel telling Fearless that he does not want to play good cop bad cop before screaming at Taylor for shooting a six year old.
Workprint:
DVD:
31:32
The workprint contains a longer shot of Joel telling Taylor it does not matter if he talks or not.
Workprint:
31:53
The workprint contains an additional scene. It reshows Ray telling Tom about Cantrel’s criminal history and Joel and Fearless going into the apartments.
Workprint:
32:24
The workprint contains a slightly longer shot of Fearless showing his badge to Cantrel’s grandfather.
Workprint:
32:49
The workprint contains a slightly longer shot of Cantrel walking out.
Workprint:
33:30
The workprint contains an additional title card.
Workprint:
34:37
The workprint contains a longer shot of Joel driving home.
Workprint:
36:25
The workprint contains an alternate and longer scene of Joel walking out of Willie’s room after tucking him into bed.
Workprint:
DVD:
37:47
The workprint contains an alternate and longer shot of Teresa’s title card.
Workprint:
DVD:
38:16
The workprint contains a slightly longer shot of Teresa listening to Joel update her about Kelly’s condition.
Workprint:
38:25
The workprint contains a slightly longer shot of Joel standing around.
Workprint:
38:29
The workprint contains a longer shot of Teresa rolling the stretcher with Cantrel’s body into the ambulance.
Workprint:
39:01
The workprint contains a slightly longer shot of Teresa telling Grace she will be OK.
Workprint:
39:16
The workprint contains a slightly longer shot of Teresa looking at Grace.
Workprint:
40:06
The workprint contains a slightly longer shot of Andrea and Teresa looking at Cantrel’s grandfather.
Workprint:
40:16
The workprint contains a slightly longer shot of Andrea walking to Cantrel’s grandfather.
Workprint:
40:19
The workprint contains a longer shot of Teresa watching Andrea approach Cantrel’s grandfather.
Workprint:
40:22
The workprint contains a slightly longer shot of Andrea walking towards Cantrel’s grandfather.
Workprint:
40:36
The workprint contains an alternate and longer shot of Cantrel’s title card.
Workprint:
DVD:
41:32
The workprint contains a longer shot of Taylor and Cantrel driving towards Audrey.
Workprint:
41:37
The workprint contains a slightly longer shot of Cantrel turning his back as Taylor fires the gun at Audrey.
Workprint:
41:59
The workprint contains a longer shot of Taylor walking to the basketball court.
Workprint:
42:33
The workprint contains a longer shot of Cantrel’s grandfather holding Cantrel.
Workprint:
42:56
The workprint contains an alternate shot of Cantrel’s grandfather’s title card.
Workprint:
DVD:
43:05
The workprint contains a longer shot, with Ray directing Cantrel’s grandfather to the car.
Workprint:
43:16
The workprint contains a longer shot of Ray, Tom, Teresa and Cantrel’s grandfather listening to David.
Workprint:
43:57
The workprint contains a longer shot of David asking everyone to listen.
Workprint:
44:01
The workprint contains a longer shot of Taylor and Lawrence trying to listen to what David wants them to hear.
Workprint:
44:22
The workprint contains a longer shot of Joel arresting Taylor.
Workprint:
44:55
The workprint contains a slightly longer shot of David walking to Cantrel’s grandfather.
Workprint:
45:40
The workprint contains a slightly longer shot of Joel asking Cantrel’s grandfather if he wants to be alone when he scatters Cantrel’s ashes.
Workprint:
46:12
The workprint contains a slightly longer shot of Joel listening to Fearless’s story.
Workprint:
46:29
The workprint contains a longer shot of Cantrel’s grandfather listening to Fearless’s story.
Workprint:
46:59
The workprint contains a longer shot of Joel and Fearless watch as Cantrel’s grandfather pour Cantrel’s ashes into the Los Angeles River.
Workprint:
